Inspiration and Development

We’re back and we’re baring all. The most common thing people seem to ask writers is “Where do you get your ideas?” Apparently, “By eating the brains of more talented writers” isn’t as helpful an answer as we’d hoped. Maybe discussing our creative process in depth might prove more useful. Please forgive us if we enjoy a light snack first.

Human brain

If it’s fresh enough, you can almost taste the synapses firing across your tongue.

Main Topic

We have discussed the craft of scenario writing before, all the way back in episode 25. Our discussion then was more abstract, however, covering general principles. This time, we thought we should talk in specifics, giving examples from our own work. Obviously, this means that we are going to spoil certain aspects of some published scenarios. In particular, we analyse:

To explain our creative processes, we talk about the initial inspirations for these scenarios, how we grew them, how they changed during playtesting and development, and what we think we might change about them now with the benefit of experience. We have tried to avoid talking about too many plot details, but spoilers are inevitable.

Put your hands over your ears if you want to block them out. This never fails.

Given that two of the scenarios we discuss come from our Nameless Horrors collection, we thought we should spread the eldritch love. Our good friends at Chaosium have generously provided us with five copies of the book to offer as competition prizes. If you share one of our social media posts about this episode (on Facebook, Twitter or Google+), we will add your name to a random draw. We will probably do this when we next meet to record, on the 24th of March. It is probably best to tell us when you’ve shared something, as automatic notifications can sometimes be flaky. The five winners will each win a copy of Nameless Horrors. We would be happy to sign, inscribe or otherwise deface these books in any way that pleases you.

News

Matt shares his thoughts on his visit to the wonderfully named Sandy Balls, where he attended the Contingency convention. Thrill to his tales of terrifying games, eldritch cocktails and life-threatening sleep deprivation!

Scott gives a brief update on his latest recordings with the How We Roll Podcast. He has just started running them through The Two-Headed Serpent, which should keep everyone involved busy for the next year. The first episodes will probably go live in April or May and we will post links here when they are available.

We also mention a recent chat on our shiny new Discord server where we talked about writing scenarios for Call of Cthulhu. We shall try to arrange another chat soon. Keep an eye on our server for more details.

Other Stuff

We also give a surprising amount of our creative energies over to the songs we record for our $5 Patreon backers. Don’t be fooled by our apparent lack of talent — we put blood, sweat and tears into these recordings. OK, not our own, but the point still stands. There are two such recordings in this episode, with a great many more to come. If you are still waiting for your moment of horror, please bear with us. It is simply not safe for us to release two songs into the world at the same time.

The Wicker Man

We’re back and we’re erecting monstrous effigies, playing deadly games and proclaiming that Sumer is Icumen In. OK, it’s February, but we’re sure that summer is out there somewhere. In fact, as we mention, the cast and crew of The Wicker Man had to pretend that a Scottish November offered the warmth of late spring. We Britons are good at lying to ourselves about the weather.

And we can always find ways to keep the chill off.

Main Topic

As we’ve just implied, this episode is our look at the 1973 classic British horror film, The Wicker Man. Christopher Lee may have claimed that it wasn’t truly a horror film, but, with all due respect, he was wrong. This is one of the Unholy Trinity of folk horror film, as discussed in the last episode. A deeply disturbing look at a clash of faiths, leading to grisly consequences, it is filled with pagan imagery and nihilistic hopelessness. It’s also a musical, so do sing along as you scream!

“Please release me, let me go…”

Once again, Mike Mason, line editor of Call of Cthulhu, joins our discussion. Like Scott and all other right-thinking people, Mike proclaims The Wicker Man as his favourite film. As a result, our conversation gets progressively more enthusiastic and geeky as we lose ourselves in its pagan ecstasies.

Not quite enough to strip off and dance naked for joy, but it was close.

In the course of the episode, we mention a few related projects:

Oh, Jesus Christ! Oh, Lord!

News

We mention that Scott was recently interviewed for a local radio programme on Secklow 105.5. The interview hasn’t been broadcast yet, but we shall be sure to post a link once it is available.

Matt mentions that the first session of his playthrough with Into the Darkness of his Intersections scenario should be available. This is the short campaign set in 1970s Istanbul that he wrote for the World War Cthulhu: Cold War corebook. It’s not actually out yet, unfortunately. We can offer the character creation session to tide you over, however. If you subscribe to the linked channel as well, you will be notified when the first episode is available.

Other Stuff

As The Wicker Man blends music and terror, so do we. There are two new songs in this episode, each a potent incantation of primal ecstasy. These, as ever, are our means of thanking new Patreon backers. The old gods themselves cower before our chants, so we limit ourselves to two songs per episode. With the recent influx of new backers, this means that we are still working our way through a considerable backlog. If you are still waiting, we thank you for your patience and promise that your song will come soon. Some fates are too terrible to be avoided forever.