Insanity in Lovecraft

We’re back and we’re tackling a potentially contentious subject. If you spend much time on gaming forums or social media, you may have stumbled across debates about whether mental illness is a fit subject for gaming. Many horror games have a sanity mechanic of some description, an idea that began with Call of Cthulhu. Of course, Call of Cthulhu, in turn, picked this theme up from Lovecraft’s fiction. But is the portrayal of insanity in Lovecraft what we assume it is? If not, how might this inform our games?

135: Insanity in Lovecraft

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We start by discussing Lovecraft’s family history and his own experiences with mental illness. These undoubtedly shaped his work, and we offer some thoughts on the matter. Then, we move on to a few examples of insanity from Lovecraft’s work, trying to determine whether it’s as major a theme as conventional wisdom holds. Finally, we try to understand what madness really means in Lovecraft’s work. All this forms the foundations for our upcoming discussion of the portrayal of mental illness and trauma in Call of Cthulhu.

If you’ve noticed that Lovecraft looks dour in most photographs, we offer some theories about this too.

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Paul mentions Torchlight Candles and their unusual combustible wares, designed for gamers. The melting brains sound especially gruesome, although sadly they’re not currently listed on their website.

The smoke that rises from this candle is laced with maddening dreams. Or is that patchouli?

Matt then leads us into a discussion about Kickstarters. He can’t help himself. We briefly discuss the recent release of The Fall of Delta Green, the new 1960s setting from Pelgrane Press. Then, we move our focus to something far more sanity-blasting: a new line of plushes from the nightmarish entities behind C is for Cthulhu. I really don’t know why we encourage them.

Not pictured: the twisted visage of Lovecraft, screaming wordlessly from beyond the grave.

One of our listeners, Dominic Allen, got in touch to say that he and Simon Maeder are performing at this year’s Edinburgh Fringe. Their play, Providence: The Shadow Over Lovecraft, will be on between the 2nd and 25th of August at the Assembly Rooms, starting at 5 PM. The trailer looks rather wonderful. Paul plans to go on the 15th, so please say hi if you spot him in the audience.

Other Stuff

We are legally compelled to warn you that this episode contains our first bout of singing for a while. In case you’ve forgotten, we offer thanks to $5 Patreon backers in the form of what we pretend is song. This one should cost you no more than 0/1D4 SAN. Honest.

We also spend a little time discussing the feedback we received about our episode on subterranean spaces in Call of Cthulhu. If you would like to descend deeper into the discussion, the bulk of it may be found on our Google+ Community, or in the hidden spaces beneath your home.

 

The Mythos as Religion (Part 2)

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We’re back and we’re starting a cult. No, worse than that — we’re starting three of them! Last episode, we looked at how real religions and their practices might inform our depiction of Mythos sects in Call of Cthulhu. Now we’re taking things one step further. Building on what we’ve learnt, we try to picture what life might look like from within these sects. Then we create three Mythos sects of our own, trying to use our understanding of religion to give them more complex agendas and practices than the usual sacrifices and summonings. We also offer some context by talking about our own religious backgrounds and how they might have shaped our beliefs and prejudices.

We’re traditionalists, on the whole.

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As Matt mentioned recently, on this very site, he has been asked by Delphes Desvoivres to write a Call of Cthulhu scenario as part of the Idol of Cthulhu Kickstarter campaign. This scenario will be a follow-up to Lovecraft’s story, The Call of Cthulhu, running approximately 20,000 words. It may grow to a more cyclopean stature, depending on stretch goals. The campaign ends on the 27th of December, so act quickly if you want your New Year to be filled with unhallowed idolatry.

You may have seen posts in your social media feeds expressing dissatisfaction with Patreon’s new charging scheme. Patreon have shifted their fees from content creators to patrons, increasing them in the process. While there seem to be some understandable reasons for this, they have handled the entire situation poorly. More importantly, it disproportionately hurts backers who make smaller pledges. As a result, we are currently investigating alternatives to run alongside Patreon, allowing greater choice for backers. We will keep you posted as this develops.

There will be a slight delay in getting issue 3 of The Blasphemous Tome fanzine to our Patreon backers. We received the first batch of the print run late last week, only to discover that it was missing four pages. Getting this resolved shouldn’t take too long and we still hope to get the Tome to most of you before the end of the year. Some backers will receive their Christmas cards ahead of the Tome, as we didn’t want to miss last posting dates. If your envelope is suspiciously Tomeless, don’t worry — our unspeakable blasphemies shall take to the ghoul winds and find their way to you soon.

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There will be a lot of singing over the next few months. Thanks to the imminent release of the third Blasphemous Tome, we have had a surge of new Patreon backers. Many of these people have been generous and brave enough to pledge at the $5 level. This means that we currently have a backlog of around 10 people to praise through song. Putting more than two songs in an episode risks our vocal cords, your sanity and the very fabric of the universe. It is only prudent for us to work our way through these thanks cautiously. With great cacophony comes great responsibility. If you are still waiting, please bear with us — your song will come soon. Enjoy the sense of creeping dread until then.