We’re back and we’re scratching pentagrams into the floor, muttering blasphemous incantations and making ill-advised pacts with demons. This episode is our discussion of Ron Edwards’ influential indie RPG, Sorcerer. Kicking off a self-publishing revolution in the late 1990s, Sorcerer was arguably a manifesto as much as a game. This is not to say that it’s not fun or interesting to play. It’s a challenging RPG, but a rewarding one.
In our discussion, we make reference to the indie games website, The Forge. While the discussion forum is no longer active, its archived content is still accessible. If you have any interest in playing Sorcerer (or other indie games of the period), there are plenty of insightful threads to be found there. Another useful resource we mention is Christopher Kubasik’s Play Sorcerer. While the book itself was never completed, you can find several chapters on the linked blog. This is essential reading for Sorcerer GMs. Kubasik also created the TV series, The Booth at the End, which explores many of the same themes as Sorcerer. Finally, we mention the range of Sorcerer mini-supplements, as well as the excellent Dictionary of Mu.
One of the perils of recording these segments in advance is that sometimes the news isn’t as fresh as we’d like. We’ve already mentioned that Scott has been running his Call of Cthulhu scenario Blackwater Creek for the How We Roll podcast crew, but seeing that it came up in the episode, we shall take the opportunity to plug it again. You can download the recordings, along with many other Call of Cthulhu actual plays, from the How We Roll website. It was a fun game with a great bunch of players. We hope to do more stuff with them again.
As we also mention in the news segment, we will be attending Dragonmeet in London, on Saturday the 2nd of December. While we are not giving any seminars, we still hope to see some of you there and maybe have a chat over a pint.
As you can plainly hear, we all had nasty colds when recording. Whether or not this made our singing any worse is debatable. It definitely sounds like we’re trying to conjure up unholy spirits from the very bowels of Hell, but this is actually our way of saying thanks. When particularly generous backers pledge $5 per episode on Patreon, we sing their praises. As you may surmise from the results, whatever we received in exchange for our immortal souls, it wasn’t musical talent.