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Our State-of-the-Art Recording Studio

We were recording this evening, so I decided to take a few photographs to prove that we really do sit around in a pottery shed.

The shed in question

The shed in question

It’s pretty comfortable on summer evenings like today, as it’s warm (by British standards, so still pretty cold, really) and bright (again, adjust for Britishness).

Just interrupt us if you want to buy some pottery

The inside of the shed is a bit cramped, but we somehow manage to wedge ourselves between the pots, wheel and highly combustible gas cylinders. We try to avoid naked flames as it is difficult enough balancing the recording levels without factoring in explosions.

Paul hard at work on a screen saver

Matt watches as Paul studies a screen saver

Happily the shed is solid enough to block out the sound of the traffic on the A421, which is about 100 yards away, otherwise we might have to pay royalties to passing drivers.

Tonight's episode is brought to you by large glasses of white Russian.

Tonight’s episode is brought to you by large quantities of white Russians.

Farewell from the Buckingham Pottery, and happy listening!

The aim of doing using Kickstarter for Call of Cthulhu 7th Edition was always to produce the best quality of book production. Chaosium are understandably risk-averse, and would not seek to publish a deluxe hardcover book without the assurance that it would sell.

Thus, when the Kickstarter began the options were limited to softcover or hardcover books, each limited to black and white interior layout. As the project progressed and money was pledged, stretch goals were met. First the Arkham Country Map and floor plans, fairly modest proposals, but nice additions to the book. Then at 70K we saw the addition of colour plates to the Keeper’s Rulebook. This would provide something akin to the old Gaslight book.


Next came a slipcase, the promise of a comprehensive index (linking from the Keeper’s Rulebook and the Investigator’s Handbook) and a big art boost.

A few days in to the Kickstarter Chaosium posted the pledge level for the deluxe editions. These are superior quality hardcover books, not true leather, but leatherette. There were a lot of requests for stitched bindings from the backers. What this means is that the pages are printed and folded, then stitched rather than glued together, producing a much stronger book. Before long Chaosium announced that all the hardcovers would have stitched binding.

The next upgrade was from black and white to two-colour. The latter is black and white plus one other colour. It’s a halfway house between monochrome and colour.

There was little else that could be done to improve the quality of the books. Little else that is aside from one major thing; full colour. This step required careful consideration. If the full colour route was adopted this would require a longer development time to create more colour artwork and would then set the printing schedule back a couple of months. Would the backers accept this? The only solution was to poll the backers and get their thoughts.

Spanish art

Illustration from the Spanish edition

I thought the backers would be all for full colour. Over the last few years I’ve seen many posts about how wonderful the French edition is. Then there’s the equally beautiful Spanish edition. The poll came out approximately 50-50. The comments that accompanied the poll revealed that the backers priority was for clarity, and that many feared that colour would produce a pretty, but less usable rulebook. A very real concern and one that Chaosium shared.

Work is now in progress on samples of the colour layout and it would be great to get them to a stage to show the backers. A small sample was posted with the stretch goal, and that displayed the restrained use of colour that I expect to see in the final books.

Full colour!

It’s perhaps worth mentioning the Petersen’s Field Guides at this point. They will also be full colour, will use colour in a more extravagant style. I don’t think it’s been confirmed yet, but rumour has it that these books will be produced by the French licensee.

This would give us the best of both worlds – a rulebook that provides the rules in a clear manner that is pleasing to the eye, along with the ability to insert colour illustrations and colour plates wherever they are best suited. Alongside these there would be the more colourful field guides which look as if they have been used in the field, resplendent in full-colour art and handwritten notes for the reader to wonder over!

SPan MoN

Double page spread from the Spanish Masks of Nyarlathotep

If you’ve followed the Call of Cthulhu 7th Edition Kickstarter, you may have noticed that one of the funded stretch goals is a collection of scenarios called Nameless Horrors. This is a project that Matt, Paul and I have worked on for a while. Each scenario follows a few specific design constraints, inspired by years of playing and running Call of Cthulhu.

Call of Cthulhu has been around for a long time by RPG standards — 32 years at the time of writing — and it has a dedicated following of players steeped in the game and the Mythos. Many of these players have read the core rulebook and played a fair number of published scenarios, giving them a good knowledge of the canon creatures.

This introduces a problem. On the whole, creating an atmosphere of unease relies on a fear of the unknown. As soon as you can identify a threat and name it, you stop seeing it as something mysterious and sinister and start looking at it as a problem to solve. If you are trying to keep your games horrifying, you need to be creative about how you handle Mythos entities.

There are a few ways to do this. The easiest is to keep descriptions vague and never mention monsters by name. A twisted shape crouching in the darkness, a flash of inhuman eyes that catch the light like cat’s, and the sweet stench of rotting meat all hint at the nature of the ghoul stalking the investigators. As soon as you mention the word “ghoul”, however, the tension evaporates. Experienced Call of Cthulhu players start making mental notes about firearms damage and average numbers of hit points instead of wondering if their characters should run for their lives.

Hiding the identities of creatures is difficult is when players are experienced enough to guess them from hints, the evidence in the scenario or even the context (“We’re by the sea. I bet it’s deep ones.”). There are only so many ways you can obfuscate clues, although misdirection sometimes works well.

There was one specific event that inspired me to pitch Nameless Horrors to Paul and Matt. I was playing Call of Cthulhu at the Milton Keynes club. Our investigators were poking around in some tunnels, and started having problems with headaches, weakness and lost time. Unbidden, part of my mind said, “It’s a lloigor” and from that point a large part of the tension and excitement of the game was lost.

The reason that this collection is called Nameless Horrors is that the Mythos entities portrayed are entirely new and, in most cases, have no names. They are strange, alien and unpredictable.  At no point should your players find themselves on familiar ground.

Another constraint was that there should be no easy solutions. A lot of the scenarios I played and ran when I was young involved spending the first three-quarters of the game gathering enough information to know what and where the threat was before stocking up on shotguns and dynamite to destroy it. You were expected to resolve the situation through violence, and while there may be a heavy toll in death and madness, the investigators would probably triumph.

While some of the scenarios in Nameless Horrors may end in violence, depending on how the players approach them, setting things on fire or blowing them up won’t necessarily leave the investigators better off. It may be possible for them to survive and save the day to some extent, but their lives will be changed by the experience.

The last aspect of trying to make the scenarios as unnerving as possible was that they all be standalone one-shots. While there are many classic Call of Cthulhu campaigns, the games I always remember most fondly are those that felt like short, intense horror movies, with everything on the line for a group of characters in a desperate situation. There is no expectation that you will protect your investigator’s life and mind so that they can continue to the next adventure.

We hope that these constraints have led to a collection of scenarios that will surprise your group and keep them watching the shadows with fear and suspicion. There are many new terrors to be encountered, and while you don’t know their names, they know yours.