We’re back and we’re wondering why all these robed figures around us are chanting the name of Cthulhu? Don’t they know that Lovecraft made him up? What do they expect to get out of this? Can they really call upon his power? And, if so, how can we get in on this sweet racket?

Main Topic: The Occult and Lovecraft

This is the second part of our look into the relationship between Lovecraft’s work and real occult practices. Last episode, we looked into how Lovecraft drew upon his superficial knowledge of the occult to add verisimilitude to his stories. This time, we’re exploring something far weirder: occultists who have incorporated Lovecraft’s work into their own practices.

That’s one weird-looking D20.

Once again, Mike Mason joins us on our journey into mystery. His knowledge as line editor for Call of Cthulhu comes in especially handy when we delve into the gaming aspects of our topic. Which Call of Cthulhu scenarios draw upon occult traditions? What is the difference between the Occult and Cthulhu Mythos skills? How might we use the occult in our own games? And why is Mike chanting and pulling out that obsidian dagger?

Links

Things we discuss in this episode include:

Cthulhu Mythos Occultism

The Occult in Call of Cthulhu

Other Stuff

Songs

We sing to our old friend Amelia Faulkner in this episode, thanking her for joining our legion of Patreon backers. Amelia is a gifted and prolific author of urban fantasy and paranormal romance. You can find more about her work on her website or Amazon page.

Reviews

We also share a lovely new Apple Podcasts review from listener Test Subject 86b1. If this inspires you to write a review of your own, whether on iTunes or anywhere else you might find podcasts, we would be delighted!

We’re back and we’re casting protective circles around our microphones, burning incense that smells like Cthulhu’s armpits and waggling our wands for all they’re worth. No matter how fevered our incantations, however, the songs always seem to break free. Some magic is too foul to be contained.

Main Topic: Lovecraft and the Occult

This is the first of a pair of episodes looking into the relationship between HP Lovecraft and the occult. The focus this time is on how much (or little) Lovecraft drew upon real occult beliefs and practices. In particular, we’ll focus on the Western occult tradition and its manifestations in the 19th and 20th centuries. Next time, we’ll explore how the relationship has been reciprocated. Things are going to get weird.

Joining us in this exploration is Mike Mason. As well as being line editor for Call of Cthulhu, Mike has a keen interest in the occult and offers some personal insights. You don’t think that Call of Cthulhu has won all those ENnie awards without help from the unseen masters, do you?

Links

Things we mention in this episode include:

News

Necronomicon

The Good Friends will be flying out to Providence for Necronomicon 2019 in just two short weeks. We hope to see many of you there. Please say hi if you spot us in the wild. Mike and a number of other folks from Chaosium will also be attending the convention, operating a stall overflowing with wonders.

Scott on Fictoplasm

A little overdue, but we finally mention that Scott was a guest on Ralph Lovegrove’s excellent Fictoplasm podcast. Ralph and Scott discussed what our gaming lives might be like if Robert W Chambers had been the main figure of twentieth-century horror fiction rather than Lovecraft. This makes a perfect companion piece to our own recent discussions about The King in Yellow.

Other Stuff

Songs

Like the darkest rites of demonology, no episode of The Good Friends is complete without a good chant. We offer two such evocations in this episode, summoning all our gratitude and unleashing it upon new Patreon backers.

Review

We also share a lovely new Apple Podcasts review from listener Pad_in_Purgatory. If this inspires you to write a review of your own, whether on iTunes or anywhere else you might find podcasts, we would be delighted!

160: Making Call of Cthulhu scary

We’re back and we’re hiding under the bed. Maybe this dark, twisted shape that’s creeping around the house won’t find us here. The anticipation is making us quake in terror. Not knowing what the hell it is definitely doesn’t help. How did we end up in this state? And, more importantly, how can we make other people feel like this?

Main topic: Making Call of Cthulhu Scary

This episode is our look at what makes a game of Call of Cthulhu scary. We focus on Call of Cthulhu because that’s what we do, but the elements we discuss could apply to any horror game. Fear is a pretty universal thing.

When we say that fear is universal, we mean that there are some main strands of fear that run through us all. The specifics and triggers may be different, but there are many commonalities. Inspired by this article in Psychology Today, we go through some of these basic fears, looking at how they might come into play.

Not every attempt to be scary works.

Additionally, we offer some tips about the techniques we use and some insights into if and how we’ve been scared by games. Is scaring players possible or even desirable? Are there right ways and wrong ways to make people feel uncomfortable at the gaming table? Where does that line lie?

Links

Other things we mention in this episode include:

News

Necronomicon 2019

The Good Friends are gearing up to go to Necronomicon 2019 in Providence next month. We will be pretty busy while we’re there, but we hope to meet as many of you as possible. Please say hi if you spot us in the wild. At least two of us don’t bite. Those are pretty good odds.

The Blasphemous Tome 4.5

We have finished the writing and editing of the special interim edition of The Blasphemous Tome. Matt is poised to lay the issue out as soon as we have the last two pieces of artwork. At present, we expect to get the Tome to backers by the middle of this month (July 2019).

The Blasphemous Tome is the fanzine we produce exclusively for Patreon backers of The Good Friends of Jackson Elias. It is normally a print publication, but this special extra is a PDF. Everyone backing us by the end of July will receive a copy. See our recent post for more details.

Burning Luck Reviews

Good friend of the Good Friends, Max Mahaffa, has started up a review page on Facebook, titled Burning Luck Reviews. Check out his review of the Call of Cthulhu Starter Set, with more to follow.

Other Stuff

Songs

Few fears are more universal than those evoked by our singing. We have such a bout of terror to share with you this episode, offered in praise of a new Patreon backer. Any exhortation not to have nightmares would be pointless. Tremble away!

Merchandise

We keep forgetting to mention that we have some Good Friends merchandise available. If you would like a T-shirt that tells the world that you are a good friend of Jackson Elias or a mug that warns of the danger of Attract Fish, check out our Redbubble store!

Reviews

We share another lovely new review of the podcast this episode. Such kind words sustain us and, more importantly, help others find the podcast. We are profoundly grateful for every review we receive. If you write a review of your own on Apple Podcasts or wherever you download our episodes, we would be delighted to hear about it.

Issue 4.5 of The Blasphemous Tome is out!

The Blasphemous Tome is the regular fanzine that we create for Patreon backers of The Good Friends of Jackson Elias podcast. It contains plenty of sanity-blasting content for the Call of Cthulhu roleplaying game, along with original artwork, fiction, reviews and many other articles.

Unlike previous Tomes, issue 4.5 is a PDF, not a print publication. This is a special interim edition, packed with articles we couldn’t fit in issue 4 and lots of new content.

Issue 5, due later this year, will be print-only as usual.

Everyone backing us via Patreon by the end of July will receive a digital copy of issue 4.5.

Contents

Featured in this issue is a brand-new Call of Cthulhu scenario by our very own Paul Fricker, titled “Fall Out”.

Jonathan Weisner has taken hostages and is holed up at his country house in Massachusetts. Elements of the past are about to mix with the present, leaving the investigators to pick up the pieces.

The cover comes from John Sumrow, one of our favourite eldritch artists. There is plenty of interior artwork too, featuring pieces from Evan Dorkin, Emily Fricker and more from John Sumrow.

The articles in this issue include:

  • Sounds Alarming
    • Scott offers troubling insights into the noises we make for our backer songs
  • Cocktail Corner
    • Another of Matt’s favourite cocktail recipes, along with a little history about the drink in question
  • “Fall Out”
    • A brand-new modern-day Call of Cthulhu scenario from Paul
  • “Diary of an Unnamed Corpse”
    • An eerie tale of black magic set in 1920s Vienna, by Joerg Sterner
  • The Sanderson Collection
    • Matt reveals another rarity from the dusty corners of his library
  • Secrets of Milton Keynes
    • Scott presents the first in a series of Call of Cthulhu scenario hooks set in the home town of the Good Friends
  • Possible Worlds and Realism
    • Grant Dowell offers techniques for making our game worlds more realistic by using formal logic
  • The Forgotten
    • A macabre weird tale by Scott

How Do I Get a Copy?

If you would like to receive your copy of The Blasphemous Tome 4.5, all you have to do is back us on Patreon at any level before the end of July 2019.

Covers from bygone Tomes

Please note that we do not sell copies of The Blasphemous Tome. It is purely a reward for the wonderful people who back us via Patreon.

The Blasphemous Tome is licensed for the Call of Cthulhu roleplaying game by Chaosium, inc.

158: Mythos Deities: Hastur

We’re back and we’re taking a last look around Carcosa, wondering where all these tentacles came from. Robert W Chambers was more concerned with masks, moons and mists. Now there seem to be monsters everywhere and people are calling Hastur a god. Who is responsible for all this? Like everything relating to Carcosa, the answer is elusive and ambiguous.

Main Topic: Hastur

For the past few episodes, we’ve explored the Carcosa Mythos of Robert W Chambers. Its most famous elements — The King in Yellow, the Yellow Sign and Hastur — are usually seen as part of the Cthulhu Mythos, but we worked hard to keep these elements separate. Well, this is the episode in which we mash it all up again. Hail Hastur!

See? Tentacles! Tentacles everywhere!

We go on a deep dive into the Lake of Hali, trying to understand just what Hastur is. Bierce created him as a benign god of shepherds. Chambers took the name and made him a star (or maybe a place, or a person…) Lovecraft mentioned the name in passing but never defined anything. Derleth turned Hastur back into a god, or at least a Great Old One. Lin Carter added the Chambers back into Derleth’s work. Call of Cthulhu added new layers of complexity and John Tynes tore it all down and wrote a new mythology. So where does that leave Hastur? And how did the King in Yellow become his avatar when there is no mention of this in Chambers, Lovecraft or Derleth?

Hastur is an unusual deity, even by the standards of the Mythos. The Malleus Monstorum lists a number of avatars with no real thematic connection. He is associated with a variety of creatures, some of which seem like odd choices. Beyond his connection to The King in Yellow, it can be difficult to know what to do with him. We spend the latter half of the episode coming up with ways we might use Hastur in our games.

Links

Some of the specific works we mention in this episode include:

News

Masks of Nyarlathotep Nominated for Origins Award

The Origins Awards will be announced on Saturday the 15th of June, shortly after this episode goes out. Masks of Nyarlathotep is on the shortlist for Best Roleplaying Supplement. We shall keep you posted about how it fares.

The Blasphemous Tome 4b

Issue 4b of The Blasphemous Tome is slithering towards completion. This is our first attempt at a supplemental Tome, using some of the material we were unable to fit in issue 4. There will also be a bumper crop of specially written material, including a brand new Call of Cthulhu scenario from our very own Paul Fricker. You can also look forward to the mix of articles, fiction and art that you’ve come to expect from earlier Tomes. Unlike the previous editions, however, The Blasphemous Tome 4b will be a PDF-only publication. Anyone backing us at the time of release (probably early July) will receive a copy via Patreon.

Fictoplasm

If you would like to listen to a different take on The King in Yellow, Scott recently joined Ralph Lovegrove on his excellent podcast, Fictoplasm. They speculated about what the foundations of horror roleplaying might have been if Chambers rather than Lovecraft had been its main influence. This was just part of a longer series in which Ralph has explored novels in which fantastical works of fiction have proved more real than anticipated.

Other Stuff

Songs

Wise souls fear to speak the name of Hastur the Unmentionable. They know that the right words have the power to tear the world apart, letting madness rush in. Our songs have the same effect. We present two of them in this episode, offered in thanks to new Patreon backers.