Our new friends at The Bad Movie Marathon are spending this summer shunning the sun and savouring the many film adaptations of Lovecraft’s stories. Like us, they’ve recently had a look back at Re-Animator, agreeing that…


We’re back, and we’re looking at a couple of old favourites: Re-Animator and From Beyond. While these films have been around for almost as long as Matt, we would still be remiss if we didn’t warn you that we spoil them quite comprehensively. As we are gentlemen, or at least wear their skins in a convincing manner, we have once again saved these spoilers till the end of the episode, with clear warning of when they start.

From Beyond 2

We’ve seen what happens to people who don’t give spoiler warnings.

While there are more film adaptations of Lovecraft stories than eyes on a shoggoth, not many are features. Of those, most of the stand-outs were made by one director: Stuart Gordon. While Gordon often injects elements of sex, violence and comedy that would agitate Lovecraft’s essential salts in violent eddies of displeasure, few would argue that his work is filled with an energetic enthusiasm for its source material.

Re-Animator 1

And the occasional severed head…

We’re joined for this episode by Mike Mason, line editor for Call of Cthulhu and fellow Stuart Gordon fan. This episode was recorded before the recent changes at Chaosium, so there is no discussion of them. This may be for the best, as we found rather a lot to say about the films. If we’d got to discussing Chaosium as well, we’d probably still be recording now.

We’re back with the first episode of our new, regular schedule. Now that we’ve hit $50 per episode in sponsorship via Patreon, expect a new episode every other Tuesday. We also have five episodes in the can, and Paul is working away feverishly to edit them. This gives us contingency against illness, holidays and the obliteration of all we hold dear by forces beyond our comprehension.


OK, maybe not that last one.

This episode sees us discussing two thematically similar but rather different films. Each is a story about a woman dealing with unresolved trauma that manifests in horrific ways. Of course, this means that both the films and discussion go into some pretty dark places. This is offset by some spirited bickering, as we had some of our strongest disagreements to date on the merits of one of these films.


Happily, we found a way to resolve our differences.

First up we have Roman Polanski’s 1965 film Repulsion. This is one of Scott’s favourite films, but he is beginning to realise that he may be alone in this. The youth of today (such as Paul) seem to have no patience for films that take time to build atmosphere. And have you noticed how young people can’t leave their mobile phones alone for more than a few minutes? And don’t get me started on what they call music these days.


We follow this up with a look at Jennifer Kent’s The Babadook, from 2014. Of course, now we’ve seen him, he won’t leave us alone. This is one of the most hyped horror films of recent years, but one that lives up to its reputation. Unusually, we didn’t come to blows over this, possibly because we were all too busy quaking in terror.


Once again, we have split the discussion into two segments, with spoilers limited to the latter. This means that you can safely listen the first half without risk of us spoiling more than your day. If you have any feedback on this format, want to share your opinion on whether we should do more or fewer film episodes, or just wish to let us know that pigeons are the secret masters of the world, we would love to hear from you via social media, comments on this post, or sinister whispers from our bedroom cupboards at night.

Essie Davis and Noah Wiseman in The Babadook

“No, I promise, there really was someone in here saying that our singing scares their cats.”

And, speaking of such things, we promised a link to the short film that inspired The Babadook. Here it is.