This last week has been one of the weirdest any of us can remember. Almost everyone we know has quarantined themselves from the COVID-19 outbreak and is trying to adjust to social isolation. As a result, we’ve been working out what we can do to help keep you entertained while all this is happening.

The main thing is that we’re going to keep putting out episodes following our regular schedule. We will, however, have to record remotely for a while. You may notice something of a change in audio quality until things get back to normal. This is all very new to us.

We are also going to do a few extra things for our Patreon backers. For a start, we’re going to resurrect the backer chats. It’s been far too long since we last held one.

After some research, it seems Crowdcast best meets our requirements. It allows us to host video livestreams with audience participation and record them for those who can’t attend at the time.

Our plan is to hold the first of these new backer chats on Saturday the 28th of March, probably in the evening, UK time. We will send out specific details soon via Patreon.

The big news is that we will put out extra episodes for Patreon backers while this crisis continues. These will go out on the off-weeks, when there’s no standard release. They will be slightly different from normal episodes — more informal chats, with only some light editing. We plan to release the first one on the 7th of April. Watch your Patreon feeds for details.

Issue 5 of The Blasphemous Tome is now available!

This is the print-only fanzine that we create for Patreon backers of The Good Friends of Jackson Elias podcast. It contains articles about RPGs, horror films and weird fiction, not to mention plenty of sanity-blasting artwork and original content for the Call of Cthulhu roleplaying game.

Everyone backing us via Patreon by the end of December 2019 will receive at least one copy of the Tome.

  • $1 backers receive one copy
  • $3 backers receive one signed copy
  • $5 backers receive two copies, one signed

Featured in this issue is a new Call of Cthulhu scenario by our very own Matt Sanderson, titled “Number 22”.

A new family is moving into number 22. The circumstances of how the house came onto the market are tragic but a good deal is hard to turn down. If only this new home were as welcoming as the neighbours. Horror abounds as as cosmic weirdness bleeds into the cosiness of suburban life.

The cover comes from our good friend Jonathan Wyke, whose work adorns many of our past issues. We also have illustrations from some favourite eldritch artists, including Daupo, Evan Dorkin, Lucy Fricker, Nefeli Mandilaras and John Sumrow.

Other articles in this issue include:

  • The Ludomancers
    • Our favourite game sessions of the past year
  • Cocktail Corner
    • Matt renews his assault upon our livers
  • Number 22
    • A brand new, full-length Call of Cthulhu scenario from Matt Sanderson
  • Cosmic Rationality
    • Grant Dowell mutates logical paradox into cosmic horror
  • Nameless Dread
    • Piers Connolly explores the Lovecraftian horror at the heart of child development
  • Episodes of Insanity
    • Our favourite episodes of 2019
  • Eternity: A Manifesto
    • Scott offers a dangerous insight into the nature of time

If you would like to receive one or more copies of The Blasphemous Tome, all you have to do is back us on Patreon before the end of December 2019. If you are a backer at the $3 level or higher before we ship our first batch in late November, you will also receive one of our custom, Mythos-themed Christmas cards. Even unspeakable horrors deserve some festive cheer.

Tomes from years gone by

Please note that we do not sell copies of The Blasphemous Tome. It is purely a reward for the wonderful people who back us via Patreon.

The Blasphemous Tome is licensed for the Call of Cthulhu roleplaying game by Chaosium, inc.

Issue 4.5 of The Blasphemous Tome is out!

The Blasphemous Tome is the regular fanzine that we create for Patreon backers of The Good Friends of Jackson Elias podcast. It contains plenty of sanity-blasting content for the Call of Cthulhu roleplaying game, along with original artwork, fiction, reviews and many other articles.

Unlike previous Tomes, issue 4.5 is a PDF, not a print publication. This is a special interim edition, packed with articles we couldn’t fit in issue 4 and lots of new content.

Issue 5, due later this year, will be print-only as usual.

Everyone backing us via Patreon by the end of July will receive a digital copy of issue 4.5.

Contents

Featured in this issue is a brand-new Call of Cthulhu scenario by our very own Paul Fricker, titled “Fall Out”.

Jonathan Weisner has taken hostages and is holed up at his country house in Massachusetts. Elements of the past are about to mix with the present, leaving the investigators to pick up the pieces.

The cover comes from John Sumrow, one of our favourite eldritch artists. There is plenty of interior artwork too, featuring pieces from Evan Dorkin, Emily Fricker and more from John Sumrow.

The articles in this issue include:

  • Sounds Alarming
    • Scott offers troubling insights into the noises we make for our backer songs
  • Cocktail Corner
    • Another of Matt’s favourite cocktail recipes, along with a little history about the drink in question
  • “Fall Out”
    • A brand-new modern-day Call of Cthulhu scenario from Paul
  • “Diary of an Unnamed Corpse”
    • An eerie tale of black magic set in 1920s Vienna, by Joerg Sterner
  • The Sanderson Collection
    • Matt reveals another rarity from the dusty corners of his library
  • Secrets of Milton Keynes
    • Scott presents the first in a series of Call of Cthulhu scenario hooks set in the home town of the Good Friends
  • Possible Worlds and Realism
    • Grant Dowell offers techniques for making our game worlds more realistic by using formal logic
  • The Forgotten
    • A macabre weird tale by Scott

How Do I Get a Copy?

If you would like to receive your copy of The Blasphemous Tome 4.5, all you have to do is back us on Patreon at any level before the end of July 2019.

Covers from bygone Tomes

Please note that we do not sell copies of The Blasphemous Tome. It is purely a reward for the wonderful people who back us via Patreon.

The Blasphemous Tome is licensed for the Call of Cthulhu roleplaying game by Chaosium, inc.

We’re back and we’re facing harsh realities. How do we make RPGs feel “real” when we play them? And what do we even mean by “real”? More importantly, how can we ask such questions without passing a bong around?

Main Topic: Realism in RPG Mechanics

Any accusations that we may be hippies are completely overstated, man.

Surely we play RPGs to get away from reality. But even if this is the case, we still need to suspend our disbelief during the game; otherwise, it devolves into even more farce and arguments than usual. But what may feel real to one player might not to another. How do we create consensus and what part do game mechanics play in this?

First point of consensus: we are not bloody rolling to see how wide our anuses are.

In our discussion, we mention the late, lamented podcast, The Sons of Kryos. Judd Karlman and Jeff Lower were pioneers in RPG podcasting, offering sound advice to players and GMs alike. This is the podcast that inspired both Paul and Scott to become RPG podcasters. While their website and RSS feed are long gone, you can still find the complete run on archive.org.

Rules are not the only factor here. Next episode, we’ll explore what makes a game setting real to us. Or at least as close to real as we’re capable of getting. Making stuff up for a living can do strange things to one’s mind.

News

Pad’thulhu Auction

Anyone who has seen the cover of issue 4 of The Blasphemous Tome has already met Pad’thulhu. This most adorable of abominations was created by comics legend Evan Dorkin. Pad’thulhu has stolen our hearts. And then he ate them.

The Blasphemous Tome issue 4 cover

Good friend of the Good Friends, David Kirkby, was compelled to bring Pad’thulhu to life, rendering him in at least three dimensions. The resulting cuteness in clay perfectly captures every sanity-warping detail, drenching them in vivid colour.

You may be wishing that this eldritch moppet was perched upon your mantelpiece, filling your dreams with maddening visions of blood and marmalade. Well, this could happen!

We are auctioning David’s sculpture to raise money for Cancer Research UK. The auction will run until the 14th of March. We hope it will raise plenty of money for a cause that is important to so many of us. Look out for updates on social media. Thank you very much to David Kirkby for donating his sculpture and to Evan Dorkin for starting this whole thing off!

ConTingency

Matt takes a little time to tell us what he got up to on his winter holidays. Not many people would take a pleasure trip to England’s east coast in January. In this respect, as in so many others, Matt is not most people. He tells us all about the ConTingency convention, its new home in Hunstanton and all the wonderful games he played there.

Spotify

We are on Spotify! This means that you can now listen to The Good Friends of Jackson Elias pretty well everywhere podcasts are to be found. We might even be on Google Play, but as its podcast service is still unavailable in the UK, we’ll have to take that on faith. Take your time, Google. You can’t rush into these things.

Google+

Much like the British economy, Google+ has about a month to live. A number of members of our G+ Community have already moved over to our Discord server, Facebook page, Twitter stream and shiny new subreddit. If you haven’t done so yet, we would love to see you in as many of these places as you can face. You may also want to back up your data from G+ before it turns into so much digital chaff.

Other Stuff

Songs

The songs we assemble to thank our Patreon backers may undermine your sense of reality. And they certainly show no trace of real talent. They are, however, really heartfelt. There are two such displays of hideous gratitude in this episode. We are really sorry.

Reviews

Once again, we offer a new iTunes review from one of our wonderful listeners. We are ever so grateful to everyone who has taken the time to post a review, whether on iTunes or any other place you might find podcasts. These reviews improve our visibility, stoke our egos and help us draw more innocent minds into our world of depravity. All laudable goals, surely!

We have something very special to announce! Over on eBay, we are hosting a charity auction for a one-of-a-kind sculpture of interest to fans of H. P. Lovecraft, the Cthulhu Mythos and Paddington Bear. That should cover most of our listenership.

Anyone who has seen the cover of issue 4 of The Blasphemous Tome has already met Pad’thulhu. This most adorable of abominations was created by comics legend Evan Dorkin. Pad’thulhu has stolen our hearts. We shudder to think what he’s doing with them.

The Blasphemous Tome issue 4 cover

Good friend of the Good Friends, David Kirkby, was compelled to bring Pad’thulhu to life, rendering him in at least three dimensions. The resulting cuteness in clay perfectly captures every sanity-warping detail, drenching them in vivid colour.

Pad’thulhu was sculpted in Super Sculpey firm with wooden spheres for eyes, dowel for toggles and lollypop sticks with plastic details for his suitcase. The sculpture is 10 cm tall (4 inches), including its wooden base. You can learn more about the creation process on David’s blog.

After hearing all this, you almost certainly wish that this eldritch moppet was yours, squatting atop your mantelpiece and filling your dreams with visions of blood and marmalade. Well, this is your chance!

We are auctioning David’s unique sculpture to raise money for Cancer Research UK. The auction will run until the 14th of March. We hope it will raise plenty of money for a cause that is important to so many of us. Look out for updates on social media. Thank you very much to David Kirkby for donating his sculpture and to Evan Dorkin for starting this whole thing off!

Please share this post with wild abandon!